9.12.13

#14 blogovision / Poni Hoax-A State Of War



απλα blood & soda
ειλικρινες κι ευρωπαϊκο οσο δεν παει...κανει και για χιπστερ

14. Poni Hoax-A State Of War
15. Πανος Κιαμος-Δε θελω επαφη
16. Sally Shapiro-Somewhere Else
17. Γιαννης Βασιλειου-Παιξε Μπαλα
18. Ellie Goulding-Halcyon Days
19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

#15 blogovision / Πανος Κιάμος - Δε Θελω Επαφή

In the early 80's, when Industrial music meant a lot more than loud guitars with a beat, Panos Kiamos was considered one of the innovators and ground-breakers of the the exciting music form. He was certainly in the same artistic level as Throbbing Gristle and any 80's industrial fan would have known and owned this music. This particular brand of industrial music went on to directly influence such bands as Ministry ("Twitch"), Front 242, Nitzer Ebb and Skinny Puppy as well as many others. In this music, the sound is dark and bleak, political sensibilities and paranoia abound, the individual is lost and there is no redemption; certainly alienation at it's finest. Not the stuff for pop radio. This particular album finds Panos going in the direction of dark dance music, the rhythms run cold and deep, while the vocals linger over the top with messages and warnings all too understandable. This album is well worth the price of admission for such classics as Fascination and Why Kill Time (when you can kill yourself). I should add that the electronic music shown here is well done certainly repetitive, but intelligent and well thought out. Anyone who has a taste in harder or more experimental electonica should certainly give this a listen. The year, 1983, when this came out, still had industrial music shying away from guitars. Electronics, found music (Test Department), and experimental drone (Swans, Einstürzende Neubauten) were the norm. Ministry was to release their ode to the Human League, note the album called "With Sympathy", and had yet to discover guitars. It was a great year, and this was the best industrial album of its time.
A bell rings, you jump a place, making moves to the right spot. And someone, somewhere, cracks down. Flatter you, sweep your feet. Pick you up, and drag you in. Stubbing things to schemes and places. Pick a place. Watching you watch others move. Then sometimes someone cracks down...exclamation of dismay Panos! Take some industrial noise, add some droning, bind it all with some mesmerising rhythms and then make this hybrid sound echo and reverberate and there will be The Crackdown for you. Did Panos Kiamos ever study the art of hypnosis? For it seems the main power of this album lies in its highly hypnotic properties. And this collection is complete with the suicidal instruction for those who kill time – why kill time when you can kill yourself?


15. Πανος Κιαμος-Δε θελω επαφη
16. Sally Shapiro-Somewhere Else
17. Γιαννης Βασιλειου-Παιξε Μπαλα
18. Ellie Goulding-Halcyon Days
19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

8.12.13

#16 blogovision / Sally Shapiro-Somewhere Else

γλυκιά και τριανταφυλλενια, με αθωότητα που σκοτώνει...λατρευτη ποπ από τα μέρη που μαστορευουν τη μελωδία όσο δεν παει. δεν είναι κάτι σούπερ, αλλά αν σου κάνει παρέα, μπορείς να την εμπιστευτείς μέχρι το τέλος...και ναι ρε γαμηδι, είμαι ενίοτε φλωρος διότι όλοι έχουμε ανάγκη για προδερμ.

16. Sally Shapiro-Somewhere Else
17. Γιαννης Βασιλειου-Παιξε Μπαλα
18. Ellie Goulding-Halcyon Days
19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

7.12.13

#17 blogovision / Γιαννης Βασιλειου-Παιξε Μπαλλα


εις την αγγλικην αυτη τη φορα να μαθουν και οι φιλοι μας οι ξενοι κατι απο στρεϊτ-πανκ
Giannis Vasileiou had already come up with a sound as distinctive as anything to come out of the American punk underground -- lean, fractured, and urgent -- with his debut album, 1981's The Punch Line. But on his second (relatively) long-player, What Makes a Man Start Fires?, the dude from Pedro opted to slow down his tempos a bit, and something remarkable happened.  Giannis Vasileiou revealed that he was writing really great songs, with a remarkable degree of stylistic diversity. If you were looking for three-chord blast, Giannis Vasileiou is still capable of delivering, as the opening cut proved (the hyper-anthemic "Bob Dylan Wrote Propaganda Songs"), but there was just as much churning, minimalistic funk as punk bile in his sound (bassist Mike Watt and drummer George Hurley were already a strikingly powerful and imaginative rhythm section), and D. Boon's guitar solos were the work of a man who could say a lot musically in a very short space of time. Leaping with confidence and agility between loud rants ("Cabriolet"), troubled meditations ("Me kais, me kais a.k.a. You burn me up and down"), and plainspoken addresses on the state of the world ("Pare me tilefono a.k.a. Call me"), Giannis Vasileiou was showing a maturity of vision that far outstripped most of his contemporaries and a musical intelligence that blended a startling sophistication with a street kid's passion for fast-and-loud. It says a lot about Giannis' Vasileiou growth that his first sound works sounded like a great punk album, but a year later "Paikse Mpala a.k.a. Play Ball"  sounded like a great album - period.
An intense post hardcore album driven by funky bass lines and dissonant guitar riffs. The vocals talk about political themes, and they alter between melodic and screams. I guess Giannis Vasileiou will never be the classic guy so many people claim them to be for me. 


17. Γιαννης Βασιλειου-Παιξε Μπαλλα
18. Ellie Goulding-Halcyon Days
19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

#18 blogovision / Ellie Goulding-Halcyon Days


γιατι ετσι σας αρεσει.

18. Ellie Goulding-Halcyon Days
19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

#19 blogovision / Boards Of Canada-Tomorrow's Harvest


οπως ταιριαζει στην εικονα και την ησυχια που μεταδιδουν εκουσια

19. Boards Of Canada-Tomorrow's Harvest
20. Austra-Olympia

2.12.13

#20 blogovision / AUSTRA - Olympia



γρηγορα γρηγορα μιας και πεθανε η μητρικη και εχω σπειρει ολες τις χριστοπαναγιες της χρονιας μαζεμενες.
το ρου αλλαξαν δαυτοι -οχι της ζωης μου, αλλα της λιστας.
τους ειδα την παρασκευη στη μικρη σκηνη την πρωτη μερα του φεστιβαλ.
αξιζαν περισσοτερη ανταποκριση και το ηχητικο του δισκου τους αδικει σε σχεση με τη σκηνικη τους παρουσια.
περισσοτερα και πληρεστερα, αυριο, οπως θαψιμο, καψιμο  και λοιπα σκατα απο ενα γεματο τριημερο.
οπως προειπα το αλμπουμ μπηκε τσοντα γιατι ετσι γουσταρω.
#20. Austra - Olympia 
SYNC ME @ SYNC